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>> The
Post Office Theatre Company
The Post Office Theatre Company was born in 1995 when
Riggs O'Hara, an experienced theatre director with successful Edinburgh Festival
productions, amongst others, wanted a permanent space for his theatre group.
Taking an old GPO sorting office, he created an open performance area with
gallery above. Having a fixed venue meant he could also realise his ambition
of bringing a permanent writer on board, rather than continuing to create
pieces through improvisation. Luckily, the writer who came along was Courttia
Newland, already an acclaimed novelist.
The company works in an organic way - we improvise around the basic idea for a plot and then Courttia goes away and writes. He attends the majority of rehearsals so by opening night the actors, director and writer are like a close-knit family.
Riggs's basic objective is to combine street theatre and straight theatre, the spontaneity of the street and the discipline of the straight. He is adamant that our work should be new, fresh, and dealing with today. He doesn't like middle class angst, indeed he isn't really interested in any kind of angst at all. He wants our work to be relevant to the kind of people who don't usually go to the theatre, and a good 80% of our audience is made up of first timers, or those returning after seeing previous productions.
The Company has just moved from the original space to a pub called The Malvern Arms off the Portobello Road, London. This move will provide the opportunity to carry on working and experimenting with the everyday life of England’s new multi-cultural working class.
Other Members of the Company Include:
Carol Moses. Carol
trained at the Rose Bruford Drama College and spent two years touring with
Black Mime Theatre after leaving drama college. Carol collaborated with Courttia
Newland on the Estate Of Mind monologue, which was Newland’s first production
at the Post Office Theatre for 1997 Portobello Festival. In 1998 she performed
in the full-length play Estates of Mind developed from the monologue and performed
the role of Helen in Newland’s adaptation of Women of Troy: 2099 (1999).
Last year she played Rose in The Far Side at the Tricycle Theatre.
Sasha
Oakely. Sasha graduated with an honours degree in Drama and English and completed
postgraduate studies at The Actor’s Institute. She has performed in
Les Miserables at the Palace Theatre, and Oliver! at the Palladium. At the
Post Office Theatre she has performed in The Far Side, Estates of Mind, Romeo
and Guilletta, Women of Troy and Noel Coward in Poland, travelling to the
Edinburgh Festival with the latter production. Her most recent appearance
on stage was in the National Theatre production of South Pacific.
Leon Barr. Leon made his debut as Danny in The Far Side at
last year’s Portobello Festival and the Tricycle Theatre.
Roni Mariqueo. Roni trained at the Wornington Centre of Kensington
and Chelsea College. She has appeared in The Far Side (2001).
Dominick Golding. Dominick graduated with a BA in Drama from
Middlesex University. He has performed in Francesco’s Room at The Man
in the Moon Theatre, Killing Delroy at the Courtyard Theatre and Exposed at
the Arch Theatre (Edinburgh). His film and TV work includes Sleepwalking Blues
and Oscar and Charlie for the BBC. He played the role of Arthur in The Far
Side in 2001.
We were privileged to be joined by Martin Offiah MBE this
year and Mother’s Day was his first production. Previously he was a
record breaking rugby player who scored more than 500 tries for Widnes, Wigan,
London Broncos and Salford – in addition to his Union exploits with
Rosslyn Park, Bedford and Wasps.
Ronald Markham. Ronnie was born in Rio de Jeneiro, Brazil
and came to England when he was 11 years old. He has been acting continuously
since leaving RADA in 1957 playing many parts in film and TV including I Claudius
and The Two Ronnies. Currently he is to be seen as the Reverend Ronald Fulcrum
fronting channel 4’s E4 Autumn programming.
Jaimini Jani. Jamini graduated from Hull University with an
honours degree in Drama. He was seen in Jalapeno Production’s Delivery,
prior to which he pulverised the hero in Between the Lines for the BBC. His
West End credits include The Kitchen at the Royal Court Theatre, under the
direction of Stephen Daldry. He made his debut at the Post Office Theatre
in the role of Menelaus in the 1999 production Women of Troy and played the
role of committee chairman in The Far Side.
Courttia Newland (writer/producer) was born and still lives
in West London; Courttia is the author of three acclaimed novels The Scholar,
Society Within and Snakeskin (Abacus). His short stories have appeared in
several anthologies including; Disco 2000 (Sceptre), Vintage New writing 8
(Vintage), Afro Beat (Pulp Fiction), Rites of Spring, New London Writing (Fourth
Estate), Playing Sydney Poitier and Other Stories (SAKS Publications) and
The Time Out Book of London Short Stories. He is also co-editor of IC3: The
Penguin Book of New Black Writing in Britain. Newland has, with the Post Office
Theatre, cut his teeth in the theatre world.